A Little Background
I was raised partly on British comedy, or at least what made it over here pre-Internet. Various bits of Monty Python, Blackadder, Red Dwarf, and the perennially shown Are You Being Served? and Keeping Up Appearances. These were a start, but they didn't influence me much at the time. It wasn't until a family holiday in 2000, in a B&B where I got my own room with television, that I fell in love with UK television. I saw what turned out to be the second-ever episode of Baddiel and Skinner Unplanned and a random episode of They Think It's All Over, and I was hooked. Outside feeble attempts like an umpteenth revival of Hollywood Squares, the comedy panel show had disappeared from US television, and as a 14-year-old taking all this in, I was astounded at what the format (or in Baddiel and Skinner's case, the unformat) could do - just loads of funny people having fun.
6 years later, the guy who sat next to me in law school showed me Mitchell and Webb's "Are We the Baddies?" sketch. A few months after that, I started finding more Mitchell and Webb clips and falling in love with their comedy. What I didn't understand just then is how much I needed it. Law school revealed a number of things about my 21-year-old self that I hadn't been ready to deal with, and law school's rough enough as it is, so huge parts of my life went grey or black. I don't remember them too well, mainly because they're not worth remembering in comparison.
But the humour was there, and it gave me a world to explore and a satirical framework in which to throw away a lot of what I was going through. Brits are excellent at taking the piss, and I frankly had a lot of it that needed to be taken away. My life would have been so much darker without British comedy in particular, and I'm not sure I would have made it through law school without Mock the Week, That Mitchell and Webb Look, and other shows.
Phase 2
When I finally got a job, doing some law stuff online/from home, my health went weird and I couldn't control my sleep well. This left me up at all odd hours with a major need for something stimulating to make it through the hours of darkness and dullness. Enter Lauren Laverne, who informed me of the BBC IPlayer for the first time. Now, at the very least, I could have BBC radio to get through the night (I'm in Seattle, so her show is on 2 to 5 AM here).
Normally I loathe radio, at least commercial radio. But Lauren was and is different. The range of songs played, her off-the-charts (pun intended) music knowledge, and her manner not only on the show but in tweeting with me, the Twitter-active, effusive listener from Seattle, drew me in deeper. Within the first few months, I was on BBC 6Music twice, once for Biorhythms (Nemone read my stuff out) and once for Memory Tapes with Lauren. I've saved that part of the broadcast and still listen to it occasionally, as it's one of the major highlights of my life. And both on-air and off-air Lauren has been exceptionally kind to me. There is absolutely no reason someone of her professional standing ought to be so kind, but she is anyway. And my social media interactions with other BBC figures has been similar.
Giving Back
As I've said, I gladly would have paid a licence fee this
whole time, broke as I've been throughout a lot of it, for the value I've
gotten from the BBC. So imagine my
delight when, 2 years ago, Comic Relief had a #twittermillion grassroots
fundraising campaign for Red Nose Day.
You could join a celebrity's team and they'd promote whatever it was you
were doing in the hopes that people would give.
But Comic Relief rules said they "weren't allowed to solicit funds from abroad," which looked like it would nix my involvement. But I, for all the UK had given me, wasn't going to take no for an answer, so I put a UK friend in my sketch show, not just because I needed a British person for one sketch but because he could be the address I used to post the show. While I raised little outside my own family, Lauren tweeted my efforts often and Kirstie Allsopp retweeted once - efforts for which I am always thankful. And again, what other country's stars do this sort of thing for random people?
The one donation outside people I already knew responded to Lauren's tweet. She's from the UK but lived in Switzerland at the time. She missed the UK as a physical home; I missed it as an emotional home. So we became very close friends, and she is one of several friends I have made through love of BBC 6Music and UK programmes in general. When I get the money, my first long vacation will be to the UK, where I hope to meet all the friends I've made and thank Lauren and her BBC crew in person for all they've done for me. Yes, I'm willing to spend about 9 years of licence fees on the round trip across the pond to say "thank you" - because they deserve it.
All of This Is To Say...
I owe so many good things in my life - getting through hardships, making friends, and stretching myself into comedy writing - to the efforts of UK television and radio, most of which has been from the BBC. The value I've received from you across the pond is immeasurable, and I don't want to imagine my life without it. If you don't understand what BBC culture has done for your life, then you haven't engaged in it enough, because any one of you can get what I've had for much less effort. The 6Music community in particular is the most welcoming social community I've ever been a part of, and now that I have a normal job I'm not up at 2 AM to be part of Lauren's show. I miss it constantly, and to think even for a second that it could disappear gets me choked up.
The idea of "government programming" is usually a
terrifying thought, but the BBC has been adept at commissioning comedies that
satirise everything, including the BBC.
As a nation, please cherish what that means - a government that is
willing to pay people to make fun of it.
Please understand, from a country whose federal government takes itself
way too seriously, how valuable that is for preserving your country. It's unthinkable in totalitarian states and
suspicious in most others. But the
current is too strong in the UK to wipe that away completely, and having public
broadcasting is key to preserving it. Mock the Week wouldn't be as culturally
relevant coming from Channel 4; the point is that it's on government funds
while satirising government. You need to
hold on to that ethos, because if you let it go, I assure you it won't come
back.
